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faentasy) wrote in
onceuponacomm2021-06-06 11:02 am
FIRST EXECUTION
Execution
Regardless of how you spent the day after trial, time ticks forward. Zolaβs fate has been sealed, and all that awaits is the execution of her sentence. Come Sunday morning, the familiar sound of a flute reaches your ears, though this time you're not inclined to obey (although those who resist will have a feeling of dread they just can't shake until the end of the day), unless you're one particular blonde. Today the notes of music bring you inside the palace and into the stairwell leading to the upper floors, bars completely gone as if they were never there to begin with. What awaits at the end of the ascent is a white, completely featureless corridor with a single, plain black door at the end. As soon as it's opened, you find yourself in a completely different space.
All you can see around you is yourself and those came to bear witness you, reflections flooding your peripheral vision. This entire space is one giant mirror, from the floors, to the walls, to the ceilings. In the middle of the room stand Zola, no longer confined with vines or any restraints, and Junko with Hamelin directly in between them.
"Welcome, welcome! Now that our audience is here, let's get started shall we? Today's performance has Junko starring as the heroine and Zola as the villain! Put on a proper show for us, will you ladies?"
With a theatrical bow, Hamelin steps out from between them, a shimmer visible as he does, a large magic barrier shining into place. The stage has been set, and now all that remains is to enjoy the play.

EXECUTION
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She didn't really expect any of this, though. When Junko appears into view, she gets tense, already getting her guard up.
There are no weapons in her hands. In fact, most of her weapons were confiscated. Again. That needed to stop happening]
...I thought I'd be facing Hamelin.
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She seems eerily nonchalant about all of this. ]
Your assumption was false. I was chosen to be your executioner.
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POPCORNING
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[ c-ta doesn't really want to be here, but...he's here anyways. it's not like he feels much for zola. ]
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[ Junko doesn't seem like she has too many qualms doing this right now, but. Really. ]
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ok right tag in the right place
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[It's halfway to himself, Jack has his hand up to shield his eyes as though from a too-strong sunbeam, but all the same even with his eyes lowered it's impossible not to see the execution. Perhaps it's just a little better than staring into infinity, all the same.
He falls silent after that somewhat soft and somewhat disjointed pronouncement. It's not the best atmosphere for chatter.]
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It does seem raser unneetet, for the current situation.
I hope you don't mind my perching here, Herr Vessalius, but I woult prefer not having to fly during the whole thing.
[Because he is not about to miss this from having to sit on the floor.]
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So, he's here.
The mirrors catch him by surprise, and he ends up paying attention more to the structure of the room and arrangement of the mirror pieces than anything. The way these all reflect off of each other, if they were mirrages and not standard mirrors, then something like the Kaleidoscope... hm.
...Well, maybe that's not what he should be focusing on. ]
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[ She didn't want to come to see what would surely be a mockery of justice. Yet she couldn't stay away, though the sweet sounds of the flute leading them here made her sad. They had sentenced Zola to this fate, even if there hadn't been much choice in the matter. If this is how the story is supposed to go, it would happen to someone else sooner or later.
(It could be her here one day.)
Still, she can't quite look at the fight going on. So instead, she walks around the the edge of the room, tapping at the mirror walls. ]
Is there someone watching us from the other side, you think?
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... on Phil's end, at least. On his own... deep down, there is a part of him that wants to see justice served for Samidare, some sort of closure to this whole horrible thing, if it can even be called that. He's not sure.
What he does know is that standing here isn't making him feel any better, yet he can't bring himself to look away. Without a word, he brings one hand up to give Phil's shoulder a squeeze, as much to ground himself as to lend support, though his gaze remains facing forward, his face impassive.]
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Re: POPCORNING
Perhaps it's just a monster trait.]
I suppose it's a good thing that it wasn't someone... less acquainted with death.
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This is probably a bad decision. ]
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If you wanted to say anything to her after all of that. Christ. ]
a!
[ He waves her over. ]
Let me help you patch yourself up. I can tear some fabric from something in the boutique to use as a makeshift bandage for you. Can you make it there?
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b.
[ c-taβs just going to check up on her! ]
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b.
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he's keeping his commentary to himself, though, unless someone asks. ]
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This is the most invested he's been in this place over the entire week.]
Quite the messy affair, hm?
[The tone is soft and mostly to himself. He doesn't seem the slightest bit disturbed by the idea of one captive killing the other, or how that affects the rest of them.]
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...so that's how it is, then. Not even a proper gallows to speak of.